Film · Queer Filmmakers · Review

Love, Simon Review – Queering the image

Young queer lives can be so fuckin messy. You often only realise it later. You remember that loose mix of outcast kids that were about at school? The goths, nerds, emos and just general weirdos who generally just hung out with each other because they didn’t make up a large enough group in thei own circles. Yeah, that was me. You’d be surprised, or not, by how many of us has came out after leaving. As if our fragile presence was both supporting and constricting.

Film · Review

Unsane Review – In the glass

For as rough and abrasive as Unsane appears in front of you it feels like such a breath of fresh air. I mean, I came out of it shook. It’s grimy and exploitative, knockout trash which feels like they’ve been mandated to throw in a new twist every ten or so pages. Y’all never got to wait long before it decides to throw something lurid up on the screen, but it’s carried off like a real miser is holding onto the purse strings.

Film · Review

Red Sparrow Review – Boston accent

I don’t think there was ever a time when calling your lead character Dominika would have been subtle, but in a post Fifty Shades world it’s more about setting expectations. Those expectations are ones which the film constantly delights in frustrating. Dominika goes through the entire film without properly domming anybody, instead after receiving extensive training as a sexpionage agent (real term btw) she immediately goes and falls in love with the first man she’s sent to seduce.