Alright, Venom is bad. Not like interestingly bad, or creatively bad, there’s honestly very little of merit to be found in this feature. What makes it redeemable is that it is the exact sort of bad that makes it really fun to watch.
I love watching drama that don’t got nothing to do with me. I’m super basic when it comes to that. It’s what made me super interested in the post-production of All the Money in the World, when I mostly try to stay impervious to insider shit.
Usually when you’re watching a film that ain’t great you can get a sense of what it came from. It feels like even if everything is tugging the celluloid in the wrong direction, at least it knows where it’s going.
If Certain Women feels empty it is almost certainly by design. What better way to ring in Women’s History month than with this collection of stories regarding the diminishing effect the patriarchy has in the modern age? Kelly Reichardt is one of modern cinema’s leading formalists, exploring the place of women in society within her… Continue reading Certain Women: A film with resolve