The way that Crystal Moselle shoots skateboarding feels a lot like anybody else would shoot flying. It is loose and liberating, the camera gliding alongside as they perform, humanity captured in the shared joy of movement. The drama of Skate Kitchen comes in the fact that this promise is not one held up by society. While the skate park should itself be a meritocratic space, your skill on the board legitimizing your right to ride, it is not immune from the prejudices that consume the rest of society.
Alright, Venom is bad. Not like interestingly bad, or creatively bad, there’s honestly very little of merit to be found in this feature. What makes it redeemable is that it is the exact sort of bad that makes it really fun to watch.
In a cinemagoing landscape where the definition of spectacle has narrowed down to superhero antics — whether they be performed by Avengers, Jedi, or The Rock — A Star is Born arrives to remind us that something don’t gotta be huge to feel huge. There’s something in its two hour fifteen running time that quietly cements it in the tradition of the epic.
In basically the first scene of A Simple Favour Anna Kendrick’s character explains that the sequence of events leading up to her best friend’s disappearance happened on their kids’ school’s World Food Day. We then cut to a flashback, the banner in the classroom reads Ethnic Food Day. And so it becomes clear that, even when tasked with directing what on the outset appears to be a serious and sexy mystery thriller, his primary tendency is always going to lean towards comedy.
Say what you will about Michael Caine, at eighty five he’s still plugging away. Even if nowadays people are giving him less to do, he’s still turning up when called. Steady hand on the tiller, and if the audience can overcome the accent then they follow that man anywhere. Or maybe that’s just the British.
Climax just came out in the UK and uh, yeah. It’s a lot. A whole lot. Supposedly based on a true story from the nineties when a rehearsing group of dancers found the punch bowl in their wrap party spiked with something much stronger than the alcohol they were expecting. As you would expect it makes things better for a while. Then worse. Much worse.
There is nothing more powerful in this world than a determined Michelle Yeoh. In the prologue to this film, arriving rain drenched to some fancy London hotel whose staff refuse to acknowledge her reservation, you wonder how these men are not rendered dead under her gaze. She has a better way to exact revenge though, and one phone call to her husband finds the hotel brought out from under them. She owns it now.