It feels weird that they should make this a submarine movie, but thinking about it, it’s the only way to make this work.
It’s weird, before I write these I’ll watch all of the episodes I’m covering twice. Once spread out, over a few days or so, so that I can pay attention and get the experience of actually watching for the first time, and the second will be running through the four and taking notes right before I actually get to throwing my thoughts down. Usually my recollection is pretty good, this time between the two my brain invented a bunch of images that I guess never existed.
These next four episodes are split two ways again, 13 and 15 seem to be interested in drilling down into objective reality, 14 and 16 go in the exact opposite direction, interrogating these character’s subjectivity. It feels odd to describe them out of order like this, but it’s really the only way that writing like this is going to flow.
Nine episodes in and it seems like things have finally settled down into a good rhythm, although I’m assured by reputation that it’ll be shaken up before too long.
I guess I basically decided to cover these episodes in blocks of four because I got to the end of the fourth and decided it was such an amazing piece of filmmaking that I had to write about it.
So this is a show with a main character who is suicidally depressed. It’s confirmed at episode four, but the whole thing’s been building to that point.
I got drunk and watched most of this over the course of a single evening, then the rest in bed hungover the next morning. It’ll explain why I spent a lot of it in tears moaning about how hard life is for poor Retsuko who never did nothing wrong.