Film · Review

Love, Death & Robots: ‘Lucky 13’ Review

I’m not sure why the relationship between a space fighter pilot and her craft exudes a strong sapphic energy but it totally does. I mean, maybe because Samira Wiley (who lends her face and voice to a mocapped performance) is openly queer. Or because my twitter feed the past month has been a constant stream of Carol Danvers fanart. Or because people give their vehicles female names and pronouns.

Film · Review

Love, Death & Robots: ‘Fish Night’ Review

I don’t think many of these films have great titles, but Fish Night may be the most blandly descriptive of the bunch. Fitting for a idea that comprises a lovely visual concept with very little to back it up and honestly, lines as ham-fisted as ‘Dead as our sales were last week.’ ensure that the visual splendour… Continue reading Love, Death & Robots: ‘Fish Night’ Review

Film · Review

Love, Death & Robots: ‘Helping Hand’ Review

We all loved Gravity didn’t we? We all loved 127 Hours? (Though I think we might have forgotten that one.) Like a lot of these damn things, Helping Hand steals the most surface-y elements of the two without actually taking into consideration why. I needn’t explain the plot, if you have literally any idea at all about those two films, you’d be able to write it yourself.

Film · Review

Love, Death & Robots: ‘Shape-Shifters’ Review

This joint has a score ripped from a 2007 era video game and an a look to match. Afghanistan. I’m sure there’s plenty of original material left to be dredged up from the war there, but Shape-Shifters, the first of this series to care to contextualise its action within a specific culture, does not. It tells a thin story about werewolves and revenge. I’d honestly reckon your average 2007 video game would be a step up.

Film · Review

Love, Death & Robots ‘Good Hunting’ Review

Alright, this one’s pretty cute. It’s about equally gross as well. Any story about the stoic man who has to keep rescuing the flighty girl who keeps getting into trouble will kinda be. But when the girl’s a furry fox girl sex witch clockwork cyborg who wants to kill colonialist oppressors, I’m on her side. It’s almost definitely someone on the production team’s very specific fetish, but y’know, it intersects with enough of mine that I’ll allow it.