Film · POC Filmmakers · Review

Glass Review — First name Good, last name Movie

I’ll admit, the first shot of Glass didn’t fill me with much confidence. A masculine bodied person, wearing a dress, stalks into a room to intimidate a new batch of abducted young girls. It spoke to everything that I hated about Split: its stigmatisation of non-normative bodies, the casual nature of its depictions of abuse. Our first glimpse into the lives of our self-identifying heroes and villains disappointingly confirms that not much has changed.

Film · Review

Ocean’s 8 Review – All jewel, no heist

Here’s the thing about Steven Soderbergh, the director of this decade’s Ocean’s 11-13. He’s not a very cool filmmaker. Sure, his films are cool, and as he’s grown they’ve only become more effortlessly so. But the way he approaches them is like watching a masterclass in restraint. He is interested in the primacy of the story, everything must flow out of that. And if the story is cool, that’s great, you follow the story and the characters’ truths and piece by piece the cool will make itself.