There is nothing more powerful in this world than a determined Michelle Yeoh. In the prologue to this film, arriving rain drenched to some fancy London hotel whose staff refuse to acknowledge her reservation, you wonder how these men are not rendered dead under her gaze. She has a better way to exact revenge though, and one phone call to her husband finds the hotel brought out from under them. She owns it now.
Here’s the thing about Steven Soderbergh, the director of this decade’s Ocean’s 11-13. He’s not a very cool filmmaker. Sure, his films are cool, and as he’s grown they’ve only become more effortlessly so. But the way he approaches them is like watching a masterclass in restraint. He is interested in the primacy of the story, everything must flow out of that. And if the story is cool, that’s great, you follow the story and the characters’ truths and piece by piece the cool will make itself.