The way that Crystal Moselle shoots skateboarding feels a lot like anybody else would shoot flying. It is loose and liberating, the camera gliding alongside as they perform, humanity captured in the shared joy of movement. The drama of Skate Kitchen comes in the fact that this promise is not one held up by society. While the skate park should itself be a meritocratic space, your skill on the board legitimizing your right to ride, it is not immune from the prejudices that consume the rest of society.
I guess after 45 Years Andrew Haigh could pretty much take on any project that he liked. It seems fitting that he’d reach for a story taking place at the other end of life. Of all the ages that the young protagonist of Lean on Pete gives the youngest is fifteen. I think that’s the one that we’re supposed to believe, it’s the one that he gives when he has the least to prove, when the cruelties of the world have finally ground him down enough to be honest with those around him. I guess it is just a reminder that pain can be keenly felt whatever age you are.
The twist at the end of Tully comes pretty much as expected for anyone familiar with Diablo Cody’s body of work, it plays right her preoccupations as a creator. You know how people enjoy dismissing artists work by pointing out the themes that they enjoy exploring, reciting the trivia list of their IMDb page as though that amounts to substantive criticism. Whatever, Cody’s writing has always been intergenerational, the interesting part of her evolution is in where she chooses to lay the focus.
If there be one thing The Florida Project keeps conspicuously absent from its frames, it is Disney. The film is set on the fringes of Disney World Florida in the underserved, underassisted world of the long term American poor.
There’s this thing when musicians make movies, or movie-makers become musicians. They decide they might as well combine their artistic pursuits and score their own films.
My love for this film is entirely selfish. So is this review. So is the five star review I’m going to give it.
Slack Bay is a charming and largely inoffensive class conscious French period comedy that very much goes about its own way for the majority of its running time before making some incredibly poor decisions and collapsing under the weight of its own awfulness.
Well, it ain’t the hagiography that I feared it would be. After all that ‘greatest Briton’ nonsense the trailer be throwing out there it a wonderful surprise to see the portrait of a belligerent, castrated old man sacking everyone around him off in his futile attempt to lead a military campaign that gets pulled off just fine without him.
I don’t have too much to say about From the Land of the Moon aside from how boring it is. Like, it’s real dull.
It’s a bad dad tale. I guess the real tragedy is that he’s not even close to being the worst dad we’ve seen on the screen and even then he don’t get off too easy. At the same time, speaking as someone with they own daddy issues, he gets more than he deserves.