Film · Review

The Death of Louis XIV Review – What it says on the tin

The Death of Louis XIV promises one thing and slowly, agonisingly delivers upon it. The opening credits play over the king of France being pushed around the palace gardens for the final time, after the title card hits we do not spend even a single second outside his quarters. The king remains in his bed for the next two hours as we witness the slow decline of his health and his ultimate demise. His physicians try their very best to help but it’s the 1600s and well meaning shitheels are still shitheels.

Film · Review

My Life as a Courgette Review – Small and perfect

It’s a light film, gentle and composed in a way that leads it to fly through its running time. Don’t mind it though, 66 minutes is the right length for this thing, the quiet confidence it expresses, its insistence in finding the meaning in the small tender moments in these lives is magical, all that would be gone in a longer piece.

Film · Review

The Other Side of Hope Review: Something being said

Damn, why is it that all the Nordic movies are the most determinedly stylish? If it ain’t Juho Kuosmanen buying up Europe’s entire stock of 16mm b/w film for The Happiest Day in the Life of Olli Mäki or Roy Andersson playing with the nature and texture of digital filmmaking in his Living Trilogy then you got Aki Kaurismäki who still lights his films like he’s playing outta the 1960s.