I heard stories that Jason Blum gave this project the greenlight based purely on the concept. Like, they were throwing ideas around and somebody said Truth or Dare and he was like, ‘Sold, get someone on that script, there’s an idea there.’
You know what? The robots in this film are BIG. I don’t quite know what it is, they certainly aren’t better realised or animated than megastructures in other films. I weren’t even watching it in 3D, lol who even does that anymore, but however it is that you generate that elusive concept of bigness, Steven S. DeKnight pumps that through every frame. Like, the ‘exterior’ scenes are often pretty wonky, the lighting is off, the characters awkwardly composited onto the backgrounds. But way off in the back there there’s a big metal fella out of focus and despite the artifice there’s a little part of my brain still going, ‘Wow, so big tho.’
I guess if this were being produced a decade ago, you’d expect a comedy about a group of parents trying to stop their teenage girls from getting laid would be gross. Not in a normal sex comedy way but in a weird patriarchal way. I’m trying now to think about what else was going on a decade ago but female led comedies never really found their place in the Apatow family until Bridesmaids. Even then there’s a level of security that comes from Kristen Wiig, Melissa McCarthy, Amy Schumer all being grown adults. Like we can trust them to not embarrass themselves because their messiness comes from a place of security.
There’s mess in the life of Christine “Lady Bird” McPherson. Nothing quite adds up for her in the way it’s supposed to, or maybe she’s just getting the sums wrong. It’s telling in a way that the character is bad at maths and you ever really find out what she’s good at. Aside from making a scene, or trying to be about as alive as she can be in any given moment. Her impulses rarely serve her well but they’re hers.
After a teaser at the end of Darker last year which contained a whole lotta wedding footage I expected we’d at least be getting some wedding drama. I mean, whole plot points of that film revolve around two of Christian’s exes each with different scores to settle. I thought there’d at least be someone standing up at the ceremony with an outlandish objection. Maybe some last minute nerves, maybe we’d just get some nice fucking in a white dress. Apparently not, the ceremony is over before even the opening titles end. The rest of the film is sweeping up the loose ends.
It’s immaculate. Always is, always was going to be.
Get this right, Gary Oldman ain’t actually a really fat dude, but in this film right here he is. Mind blowing right? That someone can just do that and make it a film. He’s not fat in real life. Wow.
This might properly hit harder for me if I had seen the other two movies. I don’t even know if acapella was even in in 2011. It must have been probably, these movies made bank.
I am so fucking done with this type of film. Wahay, look at the excesses of American capitalism, aren’t they awesome? Look at this fucking white-ass guy with his amazing life, and his big house, and his much younger wife. He is so much better, more capable, more successful than you. Who cares if he’s breaking the law, in capitalism all you’re chasing is that almighty dollar so of course he’s justified. Watch as he outsmarts everyone around him, his co-workers, his family, the cartels, the American fucking government. They’re all trying to get a piece of the pie too so who gives a fuck?