Tag: Drama
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Annihilation Review – Too many ideas, too much talking

Annihilation came out on Netflix over here and my internet is proper bad. My computer on a desk slightly too small for it in a room uncomfortably large right at the edge of the where the wireless over the other side of the house reach. It’s hit and miss usually, I get lucky and the…
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Sweet Country Review: Broke west

Sweet Country is one of those rare films that slides between a few genres without feeling obnoxious in the way that it chooses to do so. It starts out as a racially tinged social picture, 1920s white Australians trying to figure out between themselves their relationship to their aboriginal peoples with whom they share their…
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I, Tonya Review – Female pain

There’s something awful fucky about the people who would make a decision to make an uptempo comic drama caper flick about domestic abuse. I ain’t sure if these people even realised the film they were making, but when you’re constructing a montage of a husband beating his wife set some cliché dad-rock needledrop it’s not…
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Fifty Shades Freed Review – Unethical consumption

After a teaser at the end of Darker last year which contained a whole lotta wedding footage I expected we’d at least be getting some wedding drama. I mean, whole plot points of that film revolve around two of Christian’s exes each with different scores to settle. I thought there’d at least be someone standing…
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Den of Thieves Review – Toxic is too kind a word

Den of Thieves has all the makings of a fun cops and robbers, cat and mouse heist film. A scrappy bunch of ne’er do wells with an elaborate plot to jack the United States Federal Reserve. The bunch of hard working dicks dedicated to tracking them down. Sure it might end on a totally bone-headed…
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The Post Review – StreepHanksThePost

The story of The Post is that Spielberg first read the script under a year ago. While working postproduction on Ready Player One he somehow got permission from Warner to go make the thing.
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Three Billboards Outside Ebbing, Missouri Review – Cards Against Cinema

So much of the time Three Billboards Outside Ebbing, Missouri feels great. Then one of its black characters enters a scene. It’s rough seeing an able movie so deftly shoot itself in the foot, cos as elegant and taut as Martin McDonagh’s plotting and dialogue feels he is totally unable to write people of colour…
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Darkest Hour Review – 21st century greasepaint

Get this right, Gary Oldman ain’t actually a really fat dude, but in this film right here he is. Mind blowing right? That someone can just do that and make it a film. He’s not fat in real life. Wow.

