I worked in a call centre for several years. So when, in the very first scene of this movie there’s this archly framed shot of Lakeith Stanfield’s hero in front of a noticeboard on which the contextless word ‘You’ is prominently displayed — I felt that. As he begs for a job with his fraudulent credentials across from the desk of some pasty old dude who is over-friendly and a little lascivious you’re firmly established in the realm of a workplace comedy. There’s echoes early on of Mike Judge’s Office Space, though we can tell that Boots Riley approaches the environment with a more easily apparent political bent.
There are like a bunch of really good movies that I don’t really have an interest in watching because of their proximity to dads. Like, I love a lot of Rob Reiner films but have little to no interest in watching Stand By Me because it amounts to the favourite film of like half of all boring white middle-aged men. That and Shawshank, I guess the non-scary King adaptations draw them in. In fact a good half of Bob Zemeckis’ filmography is a no go zone nowadays. I’m sure that Rocky is a good film, I’m sure I’ll get to it eventually, but for now age has given it proximity to the most boring parts of our society.
Annihilation came out on Netflix over here and my internet is proper bad. My computer on a desk slightly too small for it in a room uncomfortably large right at the edge of the where the wireless over the other side of the house reach. It’s hit and miss usually, I get lucky and the image comes across mostly pristine, I don’t and I’ll just settle in watch a few episodes of Brooklyn Nine Nine because y’all don’t need super high definition to appreciate Andy Samburg’s face.