Tag: Films
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Mindhorn: These fair Isles
It’s weird seeing the title cards in independent movies that were never supposed to be on the big screen. At the opening of Mindhorn Isle of Man Film’s logo looks like a shitty jpeg, stretched out awkwardly to fill the screen. There’s been some talk, a surprising amount of films shoot on the Isle but…
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Harmonium: A perfect lil film
Harmonium is a film of two halves. The first, a slow burn tension flick: a family’s life is disturbed by the emergence of a figure from the husband’s past. Who is this mysterious dude? Why is he now living in their house? Is he plotting something; he certainly seems shifty. Then at the moment of…
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Sleepless: The double double
The posters for Sleepless ask us not to ‘judge a cop by his cover.’ Can we judge him for the fact that he seems to be a total asshole instead?
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Unlocked: Anodyne spy action
There seems something vaguely inappropriate about Orlando Bloom saying, in one of the worst Jason Statham impressions of recent time, that one of his ‘mates’ died in the 7/7 attacks. At least his attempt is entertaining, so little else in the film is.
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Heal The Living: Universal health
In a series of stark scenes Katell Quillévéré destroys one life and saves another. When a teenager sustains unrecoverable brain damage in an early morning car accident, the organs within his stable body take on an urgency of their own. The medical professionals know the brain is dead long before they receive the scans detailing…
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The Weekly Roundup: 07/05/17
Sundays are for whiling away the hours in your nearest public park. Well, that and extracting all possible content from the internet, like a techbro’s $600 juicer from proprietary juice bags. James Gunn’s Guardians of the Galaxy Vol. 2 is as good as the original, it just took a shape that I liked a hell of…
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The Transfiguration: Modern vampires of the city
Maybe it just came out at the wrong time in the UK. Watching The Transfiguration a couple of weeks after watching Raw was never gonna do it many favours. Two films playing around with horror movie tropes, the cannibal, the vampire, as a way to explore contemporary politics. This one is looking at the abandonment…
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The Promise: Declawed horror
If there was any promise evident in Terry George and Robin Swicord’s often clunking screenplay before production started, it is not apparent in the final film. It has been stolen away, in these flat, overlit scenes edited with a clear mandate to keep the running time low and accompanied by this overwrought score.
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A Dog’s Purpose: It’s a pup
‘I feel mislead by the advertising of A Dog’s Purpose’, is a stupid statement by a stupid person. It’s also my feeling. Like, it’s supposed to be about this dog being reincarnated in order to figure out what their life’s purpose is. There’s a whole bunch of posters with extreme close ups of loads of…
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Clash: Political hotbox
I’m trying to calculate how much my wish for Clash to deal more directly with its politics is an extension of my own privilege. I mean, complaining that a film ain’t catering to my tastes as I sit in a nice seat in a art cinema with an almost entirely white clientele, seems almost hypocritical.…
A Grand Quiet 