Category: POC Filmmakers
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Searching Review – Static action

Searching has got me thinking about how we interface with contemporary technology in the aesthetic properties of storytelling. Earlier this year we saw Soderbergh’s Unsane which used the burnt out visual quality of mobile phone footage to great effect in building up its unsettling and uncanny sense of place. This summer came Stephen Susco’s horror…
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The Young Karl Marx Review – Well, it’s better than that Young Morrissey joint

So, the first time we see Marx and Engels meet in The Young Karl Marx, Raoul Peck has to two of them sitting at far ends of this elaborate drawing room. Marx is trying to demand payment for his last two essays from his publisher, Engels is arrived to the man’s house as his patrician…
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Black Panther Review – More Marvel movie

I think I habitually overrate Marvel movies. I mean, I’m pretty sincere when I consider them just about the most important contemporary releases. A decade seems to have been the right amount of time for these movies to mutate, a hybrid combination of pap and prestige. They are the most honest reflection of our culture…
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The Commuter Review – Uncut Neeson

Now, the film is straight-up, legit goofball nonsense. Neeson plays a man who has rode the same train every day for ten years and on the day he’s laid off from work a mysterious woman boards with him and offers him $100,000 to identify and track a mystery passenger. Just from the premise it feels…
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Coco Review – New life for Pixar

I’m not sure if I were feeling particularly weak in the theatre yesterday. There was not a single point throughout Coco that I was not either laughing or crying. Lee Unkrich & Adrian Molina’s film flies straight towards the top of the Pixar canon.
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Ferdinand Review: I found a problem

I don’t think Ferdinand is really something we read in the UK. Or at least, nobody I’ve talked to about the film has been familiar with the source material.
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The Man Who Invented Christmas Review – Obvious humbug pun

This is one distractingly made film. I ain’t sure why it turned out that way, the creatives have a fair deal of prestige behind them. At the very least they’ve been able to make things look convincing in the past.
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Alive at the Bath Film Festival: Professor Marston & the Wonder Women

I suppose we all have our gets. It don’t really matter how saccharine or whitewashy or manipulative queer historical fiction gets, I will always be onboard.
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Everything, Everything Review – Another sick romance

It’s been fun watching internet film contrarians talk about this movie. Mostly it’s reddit that comes up with all the worst takes but I’ve seen some actual respectable critics come up with some real strange criticisms. The best garbage I’ve read over and over again is that this film romanticises self harm. It’s about this…
