Category: Film
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Berlin Syndrome Review – Dank, and not in a good way

Berlin Syndrome is a 110 minute movie. If you’d asked me how long I’d been in the cinema right after it ended I’d have said about two and a half hours. It’s not a particularly slowly paced movie, it’s just unbearable.
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From the Land of the Moon Review – No idea either

I don’t have too much to say about From the Land of the Moon aside from how boring it is. Like, it’s real dull.
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My Cousin Rachel Review – Les Cousins Dangereaux

Oh man, this is way better than I was expecting. Like I thought it’s be some second tier gothic period thriller from a lesser known Daphne du Maurier title but heck, this one actually got some go to it.
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After the Storm Review – Ode to the shitty fathers

It’s a bad dad tale. I guess the real tragedy is that he’s not even close to being the worst dad we’ve seen on the screen and even then he don’t get off too easy. At the same time, speaking as someone with they own daddy issues, he gets more than he deserves.
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Baywatch Review – Needs more gay

here’s two dick jokes in Baywatch. Well, I mean there’s more than two dick jokes in Baywatch, come on, but there are two major setpiece dick jokes. That’s the level we’re working on here.
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Wonder Woman Review – Don’t let the dicks get you down

There probably exists a time in the future when there’ll be a critical reappraisal of Wonder Woman. People will be asking, ‘Was that it? People got so excited over that?’ There’ll probably be some sort of vindication for all the shitty complainy men who so frequently whine over this sort of thing. We’ll forget that…
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The Red Turtle Review – Agonising perfection

Michaël Dudok de Wit’s The Red Turtle is just sickeningly beautiful. Seriously. It’s like every frame is draped with so much perfection that it becomes impossible to glimpse the working parts underneath. It’s so striking, so mercurial that you really can’t deny the power of the thing.
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The Other Side of Hope Review: Something being said

Damn, why is it that all the Nordic movies are the most determinedly stylish? If it ain’t Juho Kuosmanen buying up Europe’s entire stock of 16mm b/w film for The Happiest Day in the Life of Olli Mäki or Roy Andersson playing with the nature and texture of digital filmmaking in his Living Trilogy then…

