Tag: Film
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Alita: Battle Angel Review —Soulless wonder

The one thing that works in Alita: Battle Angel is Alita herself. Forget the strange discomfort you’ll have at first to the overlarge, CGI augmented eyes set inside that tiny impish face. Rosa Salazar’s performance as an amnesiac robot discovering the world for the first time is truly winning. Robert Rodriguez’s vision of a future…
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Can You Ever Forgive Me? Review — Necessary

The heroes of Can You Ever Forgive Me? are lonely and sad, trying to grapple with the fact that they’ve achieved far less with their lives than intended. I am twenty four, I shouldn’t be able to relate in the way I do. The title is not just a reference to a particularly witty bon…
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The LEGO Movie 2: The Second Part Review — Superfluous as the title

The LEGO Movie ended by blowing up its universe so completely that the biggest challenge faced by its (two!) 2017 spinoffs was finding something, anything to make those stories feel like they were worth telling. They had mixed success, neither fully managed to overcome the hurdle. It seemed that the LEGO movie brand had decided…
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Green Book Review — Out of step

You know how sometimes you’re watching a film and you’re like; ‘Wow. They really thought they could do this scene and nobody would notice?’
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The Mule Review — Some ass

Clint Eastwood always looks like he’s wearing shoes two sizes two small nowadays. In The Mule he casts himself as a ninety year old failed horticulturalist who — out of a misplaced sense of pride — instead of turning to the family he abandoned years before, starts running drugs in order to make a living.…
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Vice Review — Politics as unusual

Vice ends on a scene where we flash back to a focus group earlier seen determining that ‘climate change’ were a less credible threat than ‘global warming’. In it a liberal and a conservative start getting into an argument over the film’s credibility as a factual document. Off to the side, a young woman already…
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Mary Queen of Scots Review — Yaaasss Kween

Mary Queen of Scots wants to be a big feminist picture. A brutal excoriation of the wrongs done to women, powerful before their time, brought down by men who cannot counteance their position. In truth I have little idea how historical a work it is, writer Beau Willimon (of House of Cards, among others) adapted…
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Glass Review — First name Good, last name Movie

I’ll admit, the first shot of Glass didn’t fill me with much confidence. A masculine bodied person, wearing a dress, stalks into a room to intimidate a new batch of abducted young girls. It spoke to everything that I hated about Split: its stigmatisation of non-normative bodies, the casual nature of its depictions of abuse.…

