Tag: Television
-
HBO’s ‘Chernobyl’: Review
It’s unsurprising that the suicide which kicks off the first episode is the cleanest and most sanitised part of the whole affair. We are immediately plunged into a situation wherein we know, almost immediately, that just about everyone we’ll meet in the next hour will die — usually horrifically.
-
Love, Death & Robots: ‘Lucky 13’ Review
I’m not sure why the relationship between a space fighter pilot and her craft exudes a strong sapphic energy but it totally does. I mean, maybe because Samira Wiley (who lends her face and voice to a mocapped performance) is openly queer. Or because my twitter feed the past month has been a constant stream…
-
Love, Death & Robots: ‘Fish Night’ Review
I don’t think many of these films have great titles, but Fish Night may be the most blandly descriptive of the bunch. Fitting for a idea that comprises a lovely visual concept with very little to back it up and honestly, lines as ham-fisted as ‘Dead as our sales were last week.’ ensure that the visual splendour…
-
Love, Death & Robots: ‘Helping Hand’ Review
We all loved Gravity didn’t we? We all loved 127 Hours? (Though I think we might have forgotten that one.) Like a lot of these damn things, Helping Hand steals the most surface-y elements of the two without actually taking into consideration why. I needn’t explain the plot, if you have literally any idea at all about those…
-
Love, Death & Robots: ‘Shape-Shifters’ Review
This joint has a score ripped from a 2007 era video game and an a look to match. Afghanistan. I’m sure there’s plenty of original material left to be dredged up from the war there, but Shape-Shifters, the first of this series to care to contextualise its action within a specific culture, does not. It…
-
Just cos I’m anime trash don’t mean anime is trash: Yuri!!! On ICE
Yuri!!! on Ice is super gay. Like, gayer than all other sports anime, gayer than most other anime full stop. Just super super gay. Which is exciting because it’s like ‘Yay, unashamed, full-on representation!’ and it’s great. But then you look at the framework it’s taking place in and it’s like what I imagine it…
A Grand Quiet 