There’s a scene about midway through when Ben Mendelsohn’s, sell out, stuffed shirt, businessman bad guy is laying out his evil plan. After they take control of The Oasis, the virtual reality game that has become the bedrock of society in the ruined and desolate world of the 2040s, they’ll jam it full of advertising. In a cute little note, they throw up graphics reminiscent of crappy, free-to-play mobile games. ‘We estimate’, he says, ‘that we can fill roughly eighty percent of the visual field with ads before the player will have a seizure.
Seems like Chris Nolan been listening to his critics. They say he struggles to build compelling and emotionally nuanced characters, he goes and creates a film without any. They say that his plots are tightly wound but don’t hold up under scrutiny, Dunkirk is virtually plotless. They say he mixes dialogue waaaaaaaaay too fucking low in the edit and he makes a whole film where his approach actually make sense. If it weren’t for the fact that this a full on onslaught of an action film it’d probably be unrecognisable.