Film · Review

Guardians of the Galaxy Vol. 2: Pure indulgence

When I got to thinking about the original Guardians of the Galaxy and this new one, I keep coming around to the title sequences. The first one starts, as films irritatingly thought they could do for a while before, the production cards with that prologue about the death of Star Lord’s mother. Then it has the character walking through the remains of a destroyed alien city to some downbeat orchestral as the titles start to flick up, a nice fakeout to the point he puts on his headphones and Come and Get Your Love by Redbone starts playing and the title card flashes up. Course we’d all had the tone spoiled for us by the trailers before then.