Film · POC Filmmakers · Review

Sorry to Bother You Review — Call out

I worked in a call centre for several years. So when, in the very first scene of this movie there’s this archly framed shot of Lakeith Stanfield’s hero in front of a noticeboard on which the contextless word ‘You’ is prominently displayed — I felt that. As he begs for a job with his fraudulent credentials across from the desk of some pasty old dude who is over-friendly and a little lascivious you’re firmly established in the realm of a workplace comedy. There’s echoes early on of Mike Judge’s Office Space, though we can tell that Boots Riley approaches the environment with a more easily apparent political bent.

Film · Review

Mortal Engines Review — No traction

Mortal Engines was like the YA book series with the best politics. Maybe it was tied with A Series of Unfortunate Events, but those books didn’t go too hard with praxis. These were books that were fervently anti-capitalist and anti-nationalist, written from a clearly defined Anarcho-Communist perspective. Sure, the conceit of autonomous, mobile city states is maybe a big hurdle to overcome — but to reflect a societal condition as fucked as late-capitalism takes some doing.

Film · Review

The Old Man and the Gun Review — Shots fired

The Old Man and the Gun is shot on a very creamy stock of 16mm film. It makes everything in this film look soft. When Robert Redford ambles into the frame with a crooked smile and a gimlet eye, the air around him crackles. He is a very kindly man who also so happens to be a bank robber. I’ve no doubt that this work is a tremendous example of historical revisionism — there ain’t a single person alive who exhibits the genuine unfiltered kindness that the people here do. Even the weary, downtrodden, cop tired of his job and the cruelty he sees in the world — working to take the criminals down — exhibits it earnestly.

Film · Review

Spider-Man: Into the Spider-Verse Review — Getting meta

See now, I remember back in 2013 I saw the trailer for The Lego Movie. I had seen Jump Street at that point, but not Cloudy and Lord and Miller weren’t really a directorial team that I was following. I didn’t know if the film was going to be any good, but I knew I had to see it on the big screen. There just wasn’t anything else ever made that looked like it. There was nothing that moved in the same way.

Weekly Roundup

Weekly Roundup: 9/12/18 Edition

I started playing Fallout 3 again earlier this week. I guess the emphasis in that sentence would go on started playing. I’ve put in about five hours I think at this point and, similar to every last time I’ve ever tried, it’s started to weigh me down. Would you know that all those years ago a brought the Game of the Year edition, I’ve never interacted with any of that DLC content at all.