Cinemas have problems. I’ll be the first to admit it, but frustrating as they can be, there’s no better way to be watching films.
Sundays are for waking up from a bad dream and spending most of the day wallowing in your self loathing.
Well, that and reading some film reviews, how else you gonna know what’s good out?
The American reviews for King Arthur: Legend of the Sword came out last week. I try to aviod such things but the negative buzz was pretty overwhelming. ‘It can’t be that bad,’ I thought, ‘it’s a Guy Ritchie film. I like Guy Ritchie films.’
The Levelling was shot on location in Somerset, which comes with the opportunity for me to swell up with pride. There ain’t too many films that explore our part of the world. Usually we’re just shipped to other places to ham up our accents and play the British equivalent of the yokel.
There’s something about wartime romance movies. Usually in this country it’s the Second World War. After some searching i found the last most recent one, the insipid 2004 joint Suite Française. A film, as they always are about the love affair between a French woman and this dashing Nazi officer. At least Ilsa, She Wolf… Continue reading Frantz: Love after the war
Let’s be frank here: at its best, Miss Sloane is a mid-tier, House of Cards level, sub-Sorkin-at-his-best tale of fictionalised (and mostly depoliticised) demi-ethical political manoeuvring and personal conduct.
Did you enjoy Alien? You know how Aliens took the approach of completely recontexualising the familiar iconography through the perspective of a different genre lens? What originally was a tension horror joint reinterpreted as military action, the very image of the xenomorph itself taking a completely different meaning through its multiplication. Difference of ten years… Continue reading Alien: Covenant: A clumsy remix